I think this
drawing from How to be a Perfect Husband
by William Heath Robinson and K.R. G. Browne conveys the image that most people
have of women in the inter-war years. The dramatic change that swept through
society at the end of the First World War was nowhere more evident than in the emergence
of the 'new woman'. She was sporty, she smoked, she had short hair, wore
trousers (and shorts) and, after 1928 if she was over 21, she could vote. We
also know from our title Sky Roads of theWorld that, like Amy Johnson, she may have gone to university, she may be
learning to fly and she would also have the right to get divorced.
So, like the
puzzled husband in the background of the drawing above, where did the confident
new woman leave men? Surprisingly, marriage was actually on the increase in the
1920s and 30s. However, during a period of dramatic social change for women the
role of the married man was clearly a confusing one. Also, the depression at
the beginning of the 1930s caused a fair amount of marital strife, what with
men out of work and no money coming in, and led to the development of marriage
counselling for the first time. Although How
to be a Perfect Husband is obviously meant to be a humorous book it is
interesting to see this confusion cropping up in both text and cartoons. As
Heath Robinson and Browne point out, although a great deal had been written on advice
for the newly married woman, little (apart from sex manuals disguised as
marriage guidance books) had been written about relationships for men. So, it
is also probable that our authors are gently mocking the contemporary attempts
to navigate the tricky changes in the relationship between husband and wife.
One other change after the
First World War also made married life a challenge. Interestingly, as
highlighted in How to Live in a Flat,
for the first time in the 1920s and 30s newly-weds were also much more likely
to have to navigate married life without the support of servants. Therefore,
many domestic tasks like cooking and childcare would have had to be done for
the first time by the middle-class wife without help or training, and Heath
Robinson shows her being taught to fritter a banana by her husband (though why
he would know how to cook is not explained!). But,
as some lady in black bombazine and a bonnet with
bugles will almost certainly demand – what about the husband, hey? Does he contribute
nothing to the success or failure of the deal? Is his life to be roses, roses
all the way, while his wife turns somersaults at his command and wears her
pretty fingers to the bone to keep him neatly underclothed and socked?
Not by a long shot, lady. As I have already
implied, give-and-take is the thing that matters, and the wise husband knows
that he, too, must play his part if his home-life is not to degenerate into a
species of running dog-fight. There are many little ways in which, without
unduly exerting himself or missing his nightly mug of buttermilk at the
“Archdeacon’s Arms”, he can make himself useful about the house and earn a
reputation for thoughtfulness that will stand him in good stead whenever he
wishes to touch his mother-in-law for a fiver.
However, working conditions in the home remained
very hard. Cleaning, washing and cooking took up a great deal of time so,
without servants, life became very difficult for many women. This is probably
why some men felt the need to help with domestic chores and why Heath Robinson
includes cartoons showing men assessing the health and strength of their
prospective brides! Thankfully, the invention of new electrical appliances such
as washing machines and vacuum cleaners slightly improved the working
conditions of housewives in the 1930s. This too is reflected in the
illustrations as Heath Robinson demonstrates his considerable talent for
devising solutions to every-day challenges in the home. As he points out,
anyone can build a vacuum cleaner:
On the other hand, there are some distressing echoes of an earlier Edwardian attitude to marriage and, in particular, courtship.
Refraining, then, from proposing to the first wench
who throws him a beckoning glance, the beginner should decide what type of
wife he needs. Of girls, as of gin, gooseberries, and gas-meters, there are
several varieties – among others, the Sporting, the Studious, the Athletic, the
Beautiful, the Thick-Ankled, and the Completely Dumb. (From one point of view,
the last-named make the most satisfactory wives, being solid ivory from the
neck up and consequently ready to believe anything; but as companions for a
lifetime they are not so hot.)
But I am inclined to forgive Heath Robinson and
Browne their occasional lapse into a Jeeves and Wooster style of female
appraisal because, for the most part, they preach tolerance, patience and
consideration as the cornerstones of a happy marriage. For them the perfect
husband navigates the ups and downs of marriage with a calm demeanour and an
amused detachment – as long as he is allowed off the leash occasionally. They
sensibly acknowledge, of course,
…that
when strife breaks out in the home and the air becomes thick with harsh words,
recriminations, and (in extreme cases) crockery, the little woman is hardly
ever to blame. It would appear, in short, that What is Wrong with Marriage is
almost invariably the husband.
How to be a Perfect Husband is written from the man’s perspective but it will
bring much amusement to both husbands and wives (or those planning to become
one or the other). This title, along with the other three ‘How to…’ titles by
Heath Robinson and K.R.G. Browne includes a foreword by Geoffrey Beare, Trustee
of the William Heath Robinson Trust. A percentage of the revenue from sales of
these ebooks is being donated to the Trust as a contribution to their fund for
building a Heath Robinson museum in North London. See our Facebook page for a
link to the Trust’s website.
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