Tuesday, 17 February 2015

Ten Ways to Improve your Discoverability

Self-publishing, discoverability and commercial success

Aside from the self-satisfaction derived from communicating thoughts and ideas, most writers are also striving for critical and commercial success. A survey of authors at Digital Book World 2014 found that their number one priority was to publish a book that people will buy and, secondly, to build a career as a writer, sharing stories with others. Attaining success is not easy and, for a self-publishing author, it presents a particular challenge.

In my previous blog I highlighted five barriers to self-publishing success and showed how these could be overcome. I emphasised that, firstly, you have to demonstrate knowledge of your audience, then select an appropriate subject matter and, most obviously perhaps, write well. Add the assistance of an experienced editor and good design for both the cover and the internal layout and these factors combined will give you a great opportunity to maximise your success as a writer.

Unfortunately just removing these barriers is not enough. You now possess a beautifully crafted book, of which you are rightly proud, but you need to get it read, reviewed, discussed and debated. This is where discoverability comes in.

Discoverability is about making sure your title stands out from all the others competing for attention; and it is a very crowded and noisy marketplace. In the UK alone a new book is published every 20 minutes. This over-saturation of the market poses a daunting challenge for a self-publisher, as you have to ensure that your book finds its audience and that your readers find you. Your voice has to be heard so that your potential readers know your book exists.

Discoverability is down to the publisher or, in this case you as self-publisher, and it requires considerable effort. The reader’s role in the discovery process is, by comparison, somewhat passive. They will react to stimuli that provoke interest and thus learn about the existence of your book. As publisher you have to provide that stimulation and make the reader’s discovery an easy and inevitable process that then converts into a sale.

Books sell by a combination of active promotion and word of mouth. Promotion primes the process by drawing the attention of not only readers but also other influencers such as reviewers, bloggers and reader communities such as Goodreads. The ideal situation is created when, as more people read your book, like it, talk about it and then recommend it to others, the velocity of discoverability increases with more readers drawn into a virtuous circle that propels your book to commercial success.

But what are the steps towards discoverability? Although promotion is one of the cornerstones for commercial success it is a part of a much broader marketing activity. Marketing starts early in the process that is publishing your book. It is about understanding markets, defining your target audience, creating an audience development plan (which PPS can help you with) and identifying influencers such as the leading bloggers, reading communities, Twitter accounts, Facebook groups, and so forth that are interested in your genre/subject area.

Promotion is concerned with getting the message about your book to your target market and those influencers: enhancing discoverability.

Finally comes sales, the activity required to turn a lead into a sale. This will include demonstrating a USP – why your book is a ‘must-have’ rather than a ‘might-like’ – and the provision of discounts, offers and negotiation with retailers.

In marketing terms the complete selling process is frequently described as a funnel that represents, in sequence from the broad top of the funnel to its narrow tip: Awareness–Interest–Desire–Action.  Discoverability is concerned with that very first step, showing readers that your title exists. Solving this challenge is crucial and that means creating awareness among your audience. It is unlikely that more than a few readers will find you by serendipity or accident. Therefore, the process needs to be proactive and you have to take your book to the readers.

Andrew Rhomberg, the founder of Jelly Books (www.jellybooks.com), has identified five ways in which readers are stimulated to discover books beyond simple perusal of the Amazon or newspaper bestseller lists. These are:
·         Serendipitous discovery—the random stumbling over a book;
·         Social discovery—word of mouth and trusted recommendations;
·         Distributed discovery—discovering books from sources of distribution such as book reviews, conferences, blogs, etc.;
·         Data-driven discovery—books marketed to readers through data, such as apps or adverts personalised based on shopping habits or previous purchases;
·         Incentivized discovery—book giveaways, contest rewards, promotions, etc.

Consideration of these channels can help with your promotion plan as you determine how you can influence the discovery process.

The first thing to do is to put yourself in the shoes of the reader. Where do you find out about the books you like to read? Where do you search for these books? How do you search? Which of the five discovery channels above do you use most frequently, or infrequently? What is it about a book that catches your attention? How do you find out about new authors?

Many questions can be asked but the purpose of this activity is to identify how your readers behave. It continues and extends the ‘Need to know your audience’ that I highlighted when considering barriers to success. Having mapped this behavior in an audience development plan you can then more tightly focus your promotional activity.

So here are some tips and ideas.

TEN WAYS TO IMPROVE YOUR DISCOVERABILITY

11)      Your personal website
Effective promotion for a self-publishing writer starts with the creation of a personal website that features you as the author and provides a showcase for you and your writing. You can engage a web-designer but at PPS we know that it is feasible to construct your own site quickly and easily using one of the many free or low-cost options, such as Weebly or Wordpress. If you do only one thing to enhance discoverability this should be it.

22)      Get active on social media
Your website should be supplemented by widespread use of social media promoting you and your books. Twitter, Facebook, Pinterest and others can all be used to build a presence, generate interest and develop a following. The emphasis here is on proactivity. It is not sufficient to expect readers to discover you via a Google search. Readers normally search by title or author, which indicates that they are already know what they are looking for.

33)      Build contacts
One advantage of establishing an interested audience is that you can build a database of contacts and use this to communicate directly with these people in future. Obtain email and contact details as a minimum and add more data if you can, although there is a balance between maximizing your data gathering and turning away readers. A list of influencers and potential customers is a valuable asset. Regular communication with them ensures you maximize opportunities for promotion.

44)      Blogging
Regular blogging and blog tours are an important part of the promotion process. You are a writer so this should be easy! Offering opinion, providing comment and insight as well as responding to other blogs will raise your profile. There is a lot of information available on the web that suggests how you can use blogs to good effect. At PPS we monitor our website analytics and have noticed that regular blogging significantly increases website engagement.

55)      Community websites
Active participation in relevant reader community websites will grow your presence and build audience contact points. Use your blogs and website to facilitate the development of your own online reader community. This offers an opportunity for readers to gather, socialize and share their thoughts. Traditional publishers use this concept to establish a direct rapport with their readers, as do successful self-publishing authors.

66)      Offline activities
Authors have traditionally used book festivals to promote themselves and increase their profile. Although usually the preserve of traditional publishers who want to highlight their ‘stable’ of authors, festivals and other events provide an opportunity for the self-publisher too. Depending on the nature of your book these can include attending local interest societies, a reading at your local bookshop or library and school events. Such events lend themselves to printed books but it is possible, with some imagination, to promote your ebook effectively too through these kind of activities.

77)      Data
Website and social media sites can provide a lot of useful data and analytics about usage of your sites by visitors. It is possible to track the behavior of readers, their interests, buying habits and purchasing activity. Accessing and considering this information can indicate what is, or is not, generating interest and enable you to fine tune your web presence in order to maximize engagement with readers and influencers.

88)      Incentives
Offering readers an incentive to engage with your site or provide information such as email addresses is a classic way of driving more traffic towards you and your books. Sample chapters, free ebooks, free downloads of ancillary material, or even competitions, are all examples of incentives that can attract attention and encourage potential readers and customers.

99)      Reader devices
Unless you have decided only to publish in printed form it is important that your ebooks are compatible with the wide variety of reader devices available. Whether an ereader, smartphone, iPad, laptop or tablet your book should be available and look its best. At PPS we have seen many ebooks that are poorly laid-out or incompatible for certain devices. This applies to your promotional tools as well as to the book itself as readers will miss the discoverability opportunity if their device is not supported or the ebook is of low quality.

110)  Building sales advances
The principle objective should be to have sufficient advanced orders and sales leads to sell enough books on publication that you cover the cost of production. To achieve this you have to plan your discoverability campaign well in advance of publication. Traditional publishers have always done this, positioning their authors and books to maximum advantage so awareness and interest have been aroused and a desire created among potential readers. The successful outcome is a large pre-order and customers desperate to get hold of a copy of the book on the day of release. As a self-publisher you need to work on discoverability from the start and thus maximize your potential for commercial success.

And finally…

Commitment and persistence does pay. Review your audience development plan regularly, update it and add to it. Promotion should be frequent and regular, particularly so within social media and among online communities where acknowledgement is often ephemeral and your presence can be forgotten quickly.

Thursday, 12 February 2015

Valentine's Day Advice from Heath Robinson




With Valentine’s Day almost upon us some words of wisdom on the subject of love and romance may be helpful for those looking to use St Valentine as an excuse to ‘pop the question’. Words to the Wise has the perfect guide for old-fashioned men who prefer to do the popping themselves (rather than waiting for a Leap Year and hoping that their partner does the popping for them). The advice in How to be a Perfect Husband by W. Heath Robinson and K.R.G. Browne certainly stands the test of time. The book covers everything from selecting a mate, courtship and proposal, the wedding and then married life, having children and finally the challenges of marriage for the middle aged.

William Heath Robinson was clearly a romantic old soul. Indeed, as Geoffrey Beare points out in his Foreword to our Heath Robinson titles:

Heath Robinson received much teasing from his family about the choice of subject for the second book, How to be a Perfect Husband, but looking back over his cartoons one finds that romance and courtship had been among his most frequently chosen subjects, from early ‘Cupid’ cartoons to such pictures as ‘The Coquette’ and ‘Stolen Kisses’ which were repro­duced in Absurdities in 1934.

Here are some selected extracts to whet the appetite for further invaluable guidance from Heath Robinson and Browne. As How to be aPerfect Husband is now available as an ebook you can get your hands on this vital pre-reading before Saturday. Firstly, we have the authors’ ideas for courtship and, in particular, for attracting her interest by sharing your beloved’s interests:


Is she an ardent swimmer, counting that day wasted on which she does not astound the onlookers with her skilful trudgeon? Then he must conquer his natural distaste for water in any form, master the rudiments of the breast-stroke, and flounder manfully beside her. (By the way, may I draw the attention of all to the Heath Robinson Bathing-Suit for Evening Wear, designed for formal aquatic occasions? Though we cannot hope to outshine the peacock, we can at least look pretty snappy as we stand poised at the water’s edge, bronzed and fit and the cynosure of all eyes.)


Another good way of attracting a woman’s interest is to give her things – pearls, small yachts, two-seaters, mink coats, and the like. The youth who cannot afford such gestures can try his luck with packets of cigarettes or bunches of cow-parsley; but naturally he will not get such quick results. As for the swain whose means will not permit him to lay even a bag of acid-drops at the feet of his adored, I can only advise him to take her for a series of moonlight walks. True, the British moon is seldom there when needed for this purpose, while in recent years it has been greatly over-advertised by dance-band vocalists with their mouths full (apparently) of suet; but the pale orb of night (copyright in all countries, including that little pinkish bit between Siam and China) can still be blamed for a good many announcements in The Times.

However, the nervous swain may be unsure that his romantic feelings are reciprocated by the object of his affection. Heath Robinson and Browne can help with this too:

Personally, I hold that the Tapioca Test is as good a method as any of deciding this vital question. The young man has only to take the girl out to dinner and at the appropriate moment offer her tapioca. The girl, naturally, will refuse with a delicate shudder, whereupon her cavalier should observe casually:  “No? Now, I could never marry a girl who didn’t like tapioca.” This is the crucial moment, for if the wench replies: “Oh, yeah?” and asks for a banana, it is clear that she is still heart-whole and fancy-free. If, however, she hesitates for about three seconds, and then says shyly: “On second thoughts, Mr. Dumbell, I think I will have some tapioca. It’s so delightfully vitaminous, isn’t it?” then her companion can fling up his hat and rejoice, for he has found True Love at last.

Once a man is sure his beloved is open to offers, he can contemplate making a proposal. Here again K.R.G. Browne provides valuable insight into the modern method of plighting one’s troth:

As to the actual manner of the proposal, this has changed considerably in the past hundred years. In the Victorian age, when men’s features lurked unsuspected behind a zareba of whisker, and the bustle was more of a garment than a habit, it took the form of a lengthy oration, delivered usually from the knees and prefaced by a gift of hollyhocks – or whatever flower it is that signifies to the initiated: “I’m that way about you, Baby.” Beginning: “Miss Throttlebutt, you cannot, I venture to believe, be wholly insensible of the nature of the sentiments I have long entertained towards you…” and ending, rather hoarsely: “so let me implore you, dear Miss Throttlebutt – dare I call you Susan? – to put an end to my suspense and make me the happiest man in England – nay, in all Europe! – by bestowing upon me the inexpressible honour of your hand in marriage”, it lasted a full twenty-five minutes and did no good to the knees of the trousers.

But things are very different today. The modern suitor cannot absent himself from his office long enough to do the thing in the grand Victorian manner, while no modern girl can sit motionless and mum-chance for more than five minutes at a time. The modern proposal, therefore, is a brisk and business-like affair, averaging little more than a minute and a half from question-pop to troth-plight.

The direct method of attack, of course, is still the best: “Marry me?” “Yup,” Many young men, however, are compelled by circumstances, shyness, or an impediment in their speech to approach the subject in a more round-about manner; and it is for the benefit of such that Mr. Heath Robinson – as kindly a man as ever refrained from kicking a stray cat – has devised and illustrated divers methods whereby tongue-tied swains (though not necessarily divers; dentists, deans, and even dukes will find them useful, too) can convey to the Only Girl in the World that they are simply cuckoo about her.

To find out what Heath Robinson’s methods are for shy young men to propose I recommend that you purchase a copy of How to be a Perfect Husband (available from Amazon and all other good ebook retailers). A quick read before Saturday will ensure that your Valentine’s Day is everything you might hope for. Also, on the day that the film Fifty Shades of Grey opens in cinemas, many will prefer to turn to a more gentle approach to wooing a partner. Indeed, in How to be a Perfect Husband, Heath Robinson and Browne make it clear that they are strongly against wife beating (and, of course, husband beating too)!


Tuesday, 10 February 2015

A Lucky Find, a Free Vintage Needlework Gift Pack, a Prize Draw and some Pompoms!


One of my favourite tasks here at RHE Media is searching for interesting and relevant out-of-copyright titles to add to our Vintage Words of Wisdom list. However, sometimes the books we unearth are not suitable for ebook conversion, often because the illustrations are not of sufficient quality. This is the case with two titles I acquired recently – Needlework and Crafts by Irene Davison, Agnes M. Miall and R.K. & M.I.R. Polkinghorne and Stitch Patterns & Designs for Embroidery by Anne Brandon-Jones. Both of these titles contain a great deal of useful information on embroidery and other crafts. The contents of Needlework and Crafts includes everything from plain sewing and hand embroidery through dressmaking, mending, crochet and knitting, to crafts such as gesso-work, poker-work,  leather work and basketry. Sadly, the illustrations are poor and don’t scan well, which is a shame.


On the upside, there was a nice surprise at the back of the Needlework and Crafts book – an envelope containing 10 gift transfers. These are iron-on transfers of a range of designs that were very popular in the 1920s. The designs are pretty, as you can see from the illustration at the top of this post and the following example.


Our aim with the Vintage Words of Wisdom titles is to make wise words from the past more widely available again as ebooks. Therefore, I have selected some useful and interesting content from Needlework and Crafts and Stitch Patterns & Designs for Embroidery, and added this to a section from our edition of Lillie London’s NeedleworkBook, to create a Vintage Needlework Gift Pack. The Gift Pack includes scans of some of the transfers I found at the back of Needlework and Crafts as well as the section of the book that relates to these transfers.

To request a copy of the free Gift Pack please register with us by completing the Registration Form and click on ‘Craft’ in the list of topics of interest. The Gift Pack PDF will be sent to you by email.
All those who register with us to receive the free Gift Pack will also be entered into a Free Prize Draw to win our office copy of Needlework and Crafts with the 10 iron-on transfers in the back. One lucky winner will be selected on 29th March 2015 (when British Summer Time begins and we can look forward to longer and warmer days). Register soon to be included in this free prize draw.

In the midst of winter gloom and post-Christmas, my thoughts turn to spring and to the next holiday, which is Easter. My family often come to me for lunch on Easter Sunday and there are gifts and an Easter Egg Hunt for the children. This year I am planning to revive a childhood craft skill, inspired by Project 77 and Lillie London Lesson on creating wool toys for children in our edition of LillieLondon’s Needlework Book. When I was at primary school there was a craze for making wool pompoms by winding odd bits of multi-coloured wool around cardboard circles. It was a fad that was probably inspired by the children’s TV programme Blue Peter (I think Lesley Judd made Flumps using pompoms) and we spent hours winding wool and experimenting with different effects by tying in a variety of colours at intervals during the wind.

I was therefore both amused and pleased to find that Lillie London had included a project in her book to create chicks and bunnies for children using these wool pompoms. It hadn’t occurred to me as a child to trim the pompoms into different shapes and use different sizes of pompom together to create animals. It will be fun to create Easter gifts using this technique and I have included the project and lesson from the book in the free Vintage Needlework Gift Pack so you can have a go too.

For a nostalgic indulgence, here is a link to some clips of children’s TV from the 1970s and 1980s, including Blue Peter. Sadly I couldn’t find a video of Lesley Judd making pompom Flumps but there are several episodes of Blue Peter from the 1970s on YouTube.